Emilie Zoey Baker is an international poetry slam champion who will excite and delight all ages about poetry written for both page and stage.
Traditional slam is live performance poetry performed for a group of audience members, who can be from any walk of life. From those audience members five random judges are chosen … the reason it is judged by the audience is that the idea is that it is for the people.
So the poetry is for the everyman and the everyman is holding a score up out of 10 to judge you. So the way it basically works is there are 10 poets that get roughly 3 or 4 minutes on stage to recite their poem into a microphone. Usually there are no musical props or anything like that.
It’s just them and their voice. And the audience, the random judges, give them a score out of 10. It’s immediate. It’s live. It’s raw. There is booing. There is cheering. There is jeering. And at the end the poet with the highest score is the winner.
(This answer comes from a Sydney Morning Herald article by Michael Short, in which he interviewed Emilie for The Zone. Read more here.)
I’ve been a waitress, a waitress dressed as a wench, a bar hand and a record shop girl. I’ve been a bunny, a tiger, an aeroplane (a soft one) and a clown. (No really, I can ride a unicycle and everything.) I’m an award winning face-painter and body artist and once I stood in the middle of the MCG dressed as a lion balancing on a giant inflatable ball.
My motto is ‘Children should be seen and heard, OUTLOUD!’ I’m passionate about bringing poetry into the classroom in a fun, exciting and unexpected way and introducing slam to teenagers.
I talk about feminism, cyber bullying, advertising, Australian culture and those blow-up dancing men you see out the front of car-washes
Winning the Berlin International Slam, having my poetry translated and published in the Moscow Times, meeting David Attenborough (he has a copy of my book), performing in Paris, Indonesia, New Zealand, England, At the Bowery Poetry club in NYC, The Green Mill in Chicago and winning the Nimbin Performance Poetry Cup.
On the side of Melbourne’s trains, in journals such as Going Down Swinging, Cordite, Schriftstelle (Germany) and Short Fuse (US), Rudomino Book Centre, Moscow and poems inspired by the films of David Lynch in the collections We Don’t Stop Here and A Slice of Cherry Pie (The Private Press, UK & US).
Yeah, I’m pretty famous (blows on nails). But if you haven’t seen me yet, here are some places you can get an idea of what I’m all about:
I have a major life-long crush on David Bowie.